Printmaking

Printmaking transfers images from a prepared surface to paper or fabric. Unlike painting, where you create one original, prints can be reproduced—each impression is an original artwork from the same matrix. Major techniques include relief (linocut, woodcut), intaglio (etching, engraving), and planographic (lithography, screenprinting).

Prints have a distinctive aesthetic—bold lines, flat colors, textures impossible with brush alone. The process itself is satisfying: carving, inking, pressing, and revealing your image in that moment of peeling paper from plate.

Printmaking originated in China around 200 CE with woodblock printing. The technique spread to Europe, where Dürer and Rembrandt elevated prints to fine art. Each century added techniques: etching, lithography, screenprinting.

Despite digital reproduction, original prints remain valued. Contemporary printmakers push boundaries while honoring traditions. The limited edition print—numbered and signed—carries artistic and commercial significance.

Most beginner printmaking classes focus on linocut, which is accessible and satisfying. You'll carve a design into linoleum, roll on ink, and press paper to create your print. The process is hands-on throughout.

Studios provide carving tools, lino, ink, and paper. Some have printing presses; others teach hand-burnishing. Either produces good results.

Classes typically run 2-3 hours—enough to complete at least one print. Linocut is forgiving; mistakes can become design features. You'll likely make multiple prints to take home.